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Portraits
This 1990 exhibition at Marian Goodman Gallery, New York marked Thomas Struth's entrée into group portraiture.
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Musée D'art Moderne, Departement Des Aigles, Section Publicite
A part of the fictive museum Broodthaers created and promoted from 1968 to 1972, Section Publicité uses the figure of the eagle that transcends time and cultures, exploring its place, not in the history of art, but in the history of publicity.
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Published on the occasion of Giulio Paolini’s exhibition at Marian Goodman Gallery, New York. In the booklet's essay, Craig Owens underlines the artist’s play on the gaze—a key component of any relevant self-portrait—that is erased or obstructed by the artist’s expert mise en scène.
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Richard Deacon’s sculpture reveals a highly complex vocabulary. Describing himself as a “fabricator” Deacon works with a variety of materials including with metals, plastics, wood amongst others. In his text, Peter Schjeldahl explores the artist’s poetry, discussing Deacon's concern for the subtleties of language.
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For Publication
The second edition of a catalog originally published by the Otis Art Institute of Los Angeles County in 1975, For Publication reproduces a series of Dan Graham's projects from the 1960s that both drew from and were made to be inserted into the mass media.
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Models to Projects 1978 to 1995
Published for his 1996 exhibition at Marian Goodman Gallery in New York, this catalogue offers a detailed explanation of Dan Graham’s three-dimensional work.
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Alongside numerous plates, this catalogue focuses on one of the artist's last works, the monumental steel sculpture Derailment (2001). Also included in the catalogue, Michael Brenson’s essay discusses how Muñoz systematically favored a logic of contrast.
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Tetrad Series
John Baldessari presented the Tetrad Series for his first exhibition with Marian Goodman Gallery in the Spring of 1999.
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Films
This second edition focuses on eight early film and slide pieces by Dan Graham. The book includes text in both English and French and was originally published by the Éditions Centre d'art contemporain and Écart Publications, Genéve in 1977.
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Photographs 1975-1980
Published on the occasion of the inaugural exhibition of Woodman's work at Marian Goodman Gallery. The book includes a text by Benjamin H. D. Buchloh and a foreword by writer and friend of the artist, Betsy Berne.
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Noses & Ears, Etc. (Part Two)
Simultaneously both photography and painting, John Baldessari’s Noses & Ears, Etc. (Part Two) series continues his exploration into the balance between these two medias.
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A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery
Published on the occasion of the gallery's 30th anniversary. This major catalogue includes an interview between Lynne Cooke and Marian Goodman, as well as one between Jean-François Chevrier and Marian, an essay by Benjamin H.D. Buchloh and a chronology of 30 years of exhibitions at Marian Goodman Gallery.
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Arms & Legs (Specif. Elbows & Knees), Etc.
In his essay for this catalogue, Régis Durand explores the synesthetic dimension of Baldessari's fragmented inventory of body parts on bright-colored backgrounds, echoing Bach's fugues and preludes.
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Raised Eyebrows/Furrowed Foreheads
In this body of work Baldessari uses acrylic paint to isolate, enhance and rework facial features taken from fragmented photos, exploring the relationship between the two mediums.
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Section Cinema (Part II)
Section Cinéma, 1972, comprised the seventh section of Broodthaers' celebrated museum, Musée d'Art Moderne, Département des Aigles, a major achievement of his life's work, founded in 1968 with the Section XIXème siècle in Brussels and other sections realized in Brussels, Antwerp, Zeeland, Le Coq, Düsseldorf and Kassel during a four year period from 1968 to 1972.
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Published on the occasion of Struth's exhibition at Marian Goodman Gallery in 2010, in which Struth turned his focus to technological apparatuses around the world.
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Corplegados and Particles
This book was published on the occasion of an exhibition by the same name held at Marian Goodman Gallery, New York in 2011. For this exhibition Orozco presented two new major bodies of work, first the Corplegados, a series of large format drawings realized over the course of a number of years.
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Painting 2010-2011
Published on the occasion of the exhibition that took place at Galerie Marian Goodman in Paris, this catalogue includes two abstract series by Gerhard Richter.
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Strip Paintings
Published on the occasion of the exhibition that took place at Marian Goodman Gallery in New York in 2012, this catalogue includes two essays by art critic Benjamin Buchloch—Gerhard Richter: Glass Insurrection and The Chance Ornament: Painting Progress Painting Loss.
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Limbo 2013
With Limbo, Sabine Moritz offers a very personal vision of the representation of war. Focusing on recent events like the Iraq war, and their emblematic weapons such as the helicopter, she explores the technological and ideological subtleties “new wars” have brought.
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I'm trying my hand at fashion photography
Published on the occasion of the exhibition Francesca Woodman: I'm trying my hand at fashion photography at Marian Goodman Gallery, New York February 12 - March 13, 2015.
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Juan Muñoz’s (1953-2001) influence on contemporary sculpture has been immense. The 2015 exhibition at Marian Goodman Gallery pays tribute to an artist who shed new light on the way to make, think and exhibit sculptures.
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1+1=1
The Russian-English catalogue presents the results of John Baldessari’s project, which took two years and whose purpose was to slow down the interaction between art and the spectator.
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Signs Of Life
This present scholarly survey of Cragg's work distinguishes systematic and chronological aspects, reflects on ways of working and material resources, and makes apparent associations, interconnections, and evolutionary strands.
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Footnotes For The Panther
In June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of Cinq Thèmes, the artist’s retrospective exhibition at the Jeu du Paume in Paris. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge’s work.
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100 disegni
Luciano Fabro didn’t sell his drawings but gave them away, so that the examples shown in this book have been closed to the public till now. Those from the estate of Johannes Gachnang, a close friend of Fabro’s, as well as the drawings derived from the artist’s family holdings show an astonishing complexity in which the thoughtful, but also poetic and humorous nature of Fabro finds expression.
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The Other Side
This is an expanded and updated version of Nan Goldin’s seminal book The Other Side, originally published in 1993.
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The volume documents two major exhibitions dedicated to Giulio Paolini held between 2013 and 2014 at the MACRO museum in Rome and at the Whitechapel Gallery in London.
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Double Bind & Around
This catalogue documents the exhibition Juan Muñoz. Double Bind & Around held at HangarBicocca (April 9 to August 23 2015).
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Spazio di Luce
This publication has been created in close collaboration with the artist and gives a unique insight into the universe of ideas that underpins his works. It brings together previously unpublished drawings, photographs of historic actions and recent sculptures, and a selection of the artist’s own writings.
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The Annunciation
This volume records her three-channel installation and film The Annunciation, reproducing its script and 100 stills from the work.
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New Paintings
Gerhard Richter: New Paintings is published to accompany an exhibition of the paintings at a particularly meaningful venue - the Museum Ludwig in Cologne, the city where Richter lives and works.
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About Painting
Richter's door, curtain and window pictures of the 1960s form the central focus of this volume. They stage a playful examination of the illusory nature of art, which always questions what painting shows or conceals. This lavishly appointed volume encounters central works from the artist’s last 15 years.
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Blurring the lines between artist’s book and monograph, this volume is the only one in English on Niele Toroni and the most comprehensive in print, relentlessly documenting nearly five decades of his exhibitions.
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Nature & Politics
Nature & Politics explores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist’s work.
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In this book’s extensive essay entitled, Amnesia and Anamnesis, eminent art historian Benjamin H. D. Buchloh explores both the historical and the modern art contexts which inform Richter’s Birkenau series of paintings.
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Somewhere Between Almost Right and Not Quite (With Orange)
This publication looks at new works Baldessari created on commission for the Deutsche Guggenheim. With contributions by Tracey Bashkoff, Russell Ferguson, John G. Hanhardt, and Frederic Tuten.
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How to Become
This original edition is comprised of 450 numbered copies. The English language edition is comprised of 150 numbered copies.
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Flute
William Kentridge: Flute is a dense collection of essays, photographs and images tracking the internationally famous South African artist's explorations into and production of Mozart's The Magic Flute.
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Conversations in Letters and Lines
William Kentridge and Vivienne Koorland are two of South Africa's foremost visual artists. They met as university students in the mid 1970's and have been talking and thinking together about art ever since. With a selection of work chosen to bring out the historical, formal and thematic links between their practices, this publication looks at their mutual interests in maps and mapping, in drawing, in books and the bookish, in writing and language and at how these interests come to the fore in their rich and compelling work.
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Working Tables/Spacetime
A singular look at Orozco’s itinerant studio practice, from the materials he collects on his travels to the finished works pulled from gallery storagePublished in a dos-à-dos format, Spacetime/Working Tables simultaneously focuses on two different projects by Gabriel Orozco.
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Profundis
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