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The Orozco Garden at South London Gallery
The South London Gallery’s permanent Orozco Garden opened in 2016 and was created over two years by leading international artist Gabriel Orozco, with support from 6a architects and horticulturalists at the Royal Botanic Gardens, Kew. This lavishly illustrated book explains how this unique garden was made.
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Working Tables/Spacetime
A singular look at Orozco’s itinerant studio practice, from the materials he collects on his travels to the finished works pulled from gallery storagePublished in a dos-à-dos format, Spacetime/Working Tables simultaneously focuses on two different projects by Gabriel Orozco.
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$85.00
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Written Matter
Written Matter presents selections from the notebooks of Gabriel Orozco. These texts, sketches, and images from notebooks spanning 1992 to 2012 offer insights into Orozco's artmaking process, revealing his thinking, methods, and rationales.
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In this book’s extensive essay entitled, Amnesia and Anamnesis, eminent art historian Benjamin H. D. Buchloh explores both the historical and the modern art contexts which inform Richter’s Birkenau series of paintings.
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2005
Published on the occasion of Richter's 7th exhibition at Marian Goodman Gallery, New York in the winter of 2005. The exhibition included works made between 2001 and 2005, including two important cycles of new paintings, as well as individual paintings, and a series of large-format drawings rare in scale and the first of their kind since the appearance of the 1999 catalogue raisonné of the drawings, Gerhard Richter: Drawings 1964-1999.
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About Painting
Richter's door, curtain and window pictures of the 1960s form the central focus of this volume. They stage a playful examination of the illusory nature of art, which always questions what painting shows or conceals. This lavishly appointed volume encounters central works from the artist’s last 15 years.
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Images of an Era
This volume presents and describes 50 of the artist’s works with essays by leading Richter experts. It also includes personal testimonials in previously unpublished letters as well as a conversation between Gerhard Richter and Richter expert Uwe Schneede.
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New Paintings
Gerhard Richter: New Paintings is published to accompany an exhibition of the paintings at a particularly meaningful venue - the Museum Ludwig in Cologne, the city where Richter lives and works.
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Painting 2010-2011
Published on the occasion of the exhibition that took place at Galerie Marian Goodman in Paris, this catalogue includes two abstract series by Gerhard Richter.
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Patterns
Patterns represents a brilliant adventure in image-making and book-making by Gerhard Richter, who in recent years has produced several fascinating explorations of the possibilities of the artist's book.
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Strip Paintings
Published on the occasion of the exhibition that took place at Marian Goodman Gallery in New York in 2012, this catalogue includes two essays by art critic Benjamin Buchloch—Gerhard Richter: Glass Insurrection and The Chance Ornament: Painting Progress Painting Loss.
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Published on the occasion of Giulio Paolini’s exhibition at Marian Goodman Gallery, New York. In the booklet's essay, Craig Owens underlines the artist’s play on the gaze—a key component of any relevant self-portrait—that is erased or obstructed by the artist’s expert mise en scène.
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The volume documents two major exhibitions dedicated to Giulio Paolini held between 2013 and 2014 at the MACRO museum in Rome and at the Whitechapel Gallery in London.
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Spazio di Luce
This publication has been created in close collaboration with the artist and gives a unique insight into the universe of ideas that underpins his works. It brings together previously unpublished drawings, photographs of historic actions and recent sculptures, and a selection of the artist’s own writings.
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Horse Blinders (north)
Lithograph and screenprint with collage (silver foil) on Arches paper. Published by Multiples, Inc. in collaboration with Castelli Graphics.
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Horse Blinders (south)
Lithograph and screenprint with collage (silver foil) on Arches paper. Published in collaboration with Castelli Graphics.
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Horse Blinders (west)
Lithograph and screenprint with collage (silver foil) on Arches paper. Published in collaboration with Castelli Graphics.
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Perspective Correction - 5 poles
Offset lithograph on paper, folded twice.
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Volume Five: 2005 - 2010
This volume covers six years, from 2005 - 2010, in which Baldessari created a total of 361 unique works-comprising eight discrete series, most with multiple parts or, to borrow a musical phrase, "movements."
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Volume Four: 1994 - 2004
The fourth volume of the series comprises approximately 370 works that represent the activity of this iconic conceptual artist between 1994 and 2004.
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Volume Three: 1987-1993
The third volume in the project compiles 400-plus unique works of art made by Baldessari from 1987 through 1993.
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$200.00
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1+1=1
The Russian-English catalogue presents the results of John Baldessari’s project, which took two years and whose purpose was to slow down the interaction between art and the spectator.
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And T-shirt
The t-shirt features an image from the artist's Goya Series made in the late 1990s.
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Arms & Legs (Specif. Elbows & Knees), Etc.
In his essay for this catalogue, Régis Durand explores the synesthetic dimension of Baldessari's fragmented inventory of body parts on bright-colored backgrounds, echoing Bach's fugues and preludes.
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Catalogue Raisonné Volume One: 1956-1974
This is the first of a multivolume catalogue raisonné documenting John Baldessari's paintings, works on paper, sculpture, photographs, and performance-based works.
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Catalogue Raisonné Volume Two: 1975-1986
Compiling 400 plus unique works of art, this volume traces the shifts and developments in conceptual artist John Baldessari's work from 1975-86.
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Catalogue Raisonné, Volume Six: 2011-2019
The sixth and final volume of this exceptional catalogue raisonné project features over 360 works made by John Baldessari (1931-2020) between 2011 and 2019. This volume also surveys Baldessari's complete film and video output, from 1968 to 2004, as well as the artist's books he made, from 1972 to 2019.
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Nose Peak
Here, with his onestar press edition, Baldessari conceives a book about a nose, with a nose, wherein the artist's famed subject appears and disappears upon a series of pages, in one fluid sweep.
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Noses & Ears, Etc. (Part Two)
Simultaneously both photography and painting, John Baldessari’s Noses & Ears, Etc. (Part Two) series continues his exploration into the balance between these two medias.
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Raised Eyebrows/Furrowed Foreheads
In this body of work Baldessari uses acrylic paint to isolate, enhance and rework facial features taken from fragmented photos, exploring the relationship between the two mediums.
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Somewhere Between Almost Right and Not Quite (With Orange)
This publication looks at new works Baldessari created on commission for the Deutsche Guggenheim. With contributions by Tracey Bashkoff, Russell Ferguson, John G. Hanhardt, and Frederic Tuten.
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Tetrad Series
John Baldessari presented the Tetrad Series for his first exhibition with Marian Goodman Gallery in the Spring of 1999.
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Juan Muñoz’s (1953-2001) influence on contemporary sculpture has been immense. The 2015 exhibition at Marian Goodman Gallery pays tribute to an artist who shed new light on the way to make, think and exhibit sculptures.
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Alongside numerous plates, this catalogue focuses on one of the artist's last works, the monumental steel sculpture Derailment (2001). Also included in the catalogue, Michael Brenson’s essay discusses how Muñoz systematically favored a logic of contrast.
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Double Bind & Around
This catalogue documents the exhibition Juan Muñoz. Double Bind & Around held at HangarBicocca (April 9 to August 23 2015).
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A recording of Lewis reading part of the poem is reproduced on vinyl, accompanied by a publication that includes selected images and text from Lewis’ installation, as well as a catalogue of images from Mehretu’s Among The Multitude V–XIII (2020–2022) series.
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Grey Paintings
With a poem by Patricia Smith and a new essay by artist Glenn Ligon, Grey Paintings focuses on Julie Mehretu's work from 2012-2017.
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Liminal Squared
Through a large selection of color plates and close-ups, this catalogue offers a remarkable study of some of the artist’s monumental abstractions. The book starts with a text by artist Tacita Dean, which underlines the decisive role played by Julie Mehretu’s personal history, at the crossroads of Ethiopian and American cultures.
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$65.00
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AS OFTEN AS NOT
Fiberglass (Antique parchment) serving tray with silkscreen print (dishwasher safe).
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America Señores Naturales
America Señores Naturales retraces the history of one of Lothar Baumgarten’s most famous site-specific interventions from 1984, Señores Naturales, and uses it as a point of departure to explore some of the key concepts that have shaped his oeuvre.
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100 disegni
Luciano Fabro didn’t sell his drawings but gave them away, so that the examples shown in this book have been closed to the public till now. Those from the estate of Johannes Gachnang, a close friend of Fabro’s, as well as the drawings derived from the artist’s family holdings show an astonishing complexity in which the thoughtful, but also poetic and humorous nature of Fabro finds expression.
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This Manga-style comic focuses on Dan Graham, his life, times and work. Includes scenes with Robert Smithson, Nancy Holt, Sol LeWitt, The Rolling Stones, Kim Gordon and others.
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Comédie
Offset lithograph on paper, mounted on board.
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Musée D'art Moderne, Departement Des Aigles, Section Publicite
A part of the fictive museum Broodthaers created and promoted from 1968 to 1972, Section Publicité uses the figure of the eagle that transcends time and cultures, exploring its place, not in the history of art, but in the history of publicity.
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Section Cinema (Part II)
Section Cinéma, 1972, comprised the seventh section of Broodthaers' celebrated museum, Musée d'Art Moderne, Département des Aigles, a major achievement of his life's work, founded in 1968 with the Section XIXème siècle in Brussels and other sections realized in Brussels, Antwerp, Zeeland, Le Coq, Düsseldorf and Kassel during a four year period from 1968 to 1972.
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Poems of Our Climate
Drawing on avant-garde cinema and found photographs, Saunders’s multimedia works explore the mobility and affective power of images.
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2020, Marble powder and resin. Edition of 75 + 25 AP, signed, numbered
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The Taste of Others
In this captivating volume, skillfully crafted by Massimiliano Gioni, a trusted collaborator of Maurizio Cattelan and curator at the New Museum, we embark on a journey through the myriad editions and ephemeral projects born from the brilliant imagination of the New York-based Italian artist.
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